undercurrents

dance & drawing. movement. cycles.

i switched majors in college when i was 19 from ballet pedagogy (university of oklahoma at norman) to visual art (university of arkansas at fayetteville). ballet was a passion of mine but i found that it may not have been my calling. i love dancing … tap, modern, theatre, lyrical, ballet. i wasn’t too shabby at it, but i felt my heart pulling towards working creatively with my hands.

diving into painting, drawing, sculpture, ceramics and everything else was very therapeutic and natural. however, i missed dance like crazy. after all, i danced from when i was 4 to 18. i ended up taking instruction at a local dance studio, which satisfied that need. while finishing up my BFA, i decided to challenge myself with finding a unique way to express the melding of dance and drawing. i researched various dance photographers and took several figure study courses. figure study from professor ken stout was an inspiring set of courses that pushed me further towards my interests.

at the time, i ended up painting a few pieces that i felt achieved the goal i was going for. but after college, the project was put on hold.

last year, i was inspired by a motivated friend to do a little clean-out of ye ole soul. time leaves its baggage piled up in your chest and sometimes you have to get in there and clean it out. you also have to take time to appreciate all the goodness. it is a great favor to do for yourself. so i began to find a healthy path toward focusing on emotional, physical, spiritual clarity. it’s not something to cross off of your “to do” list, but it’s nice to shift your lifestyle just a bit to gain clarity and let go of some aging hook-ups.

during this process of journaling, sketching, reading, pacing, analyzing, resting (and a little bit of dancing), i began my “undercurrents” series. i’m a pretty private person and have been wanting to challenge myself by exposing a more emotional side in a tasteful, expressive manner. i worked with dear friend and talented photographer Lily Darragh back home in little rock to shoot a couple of dancers. i shared with her my goals, we painted a backdrop and did some planning on how this would best play out.

Working with a dancer during the Little Rock photo shoot.
working with a dancer during the little rock photo shoot.

after spending quite some time narrowing down the emotions/narratives i intended to convey, i built playlists to correlate with each narrative. we met one afternoon with two dancers that ended up really pushing the idea. as the dancers listened to the music, i loosely “choreographed” the shoot and encouraged them to improvise and tap into their own forms of expression. it was a pretty incredible experience watching these talented girls put my description into action.

the photos turned out better than imagined: i now have a beautiful custom library of photographs to create from. and they all tell a personal story. i am currently in the process of organizing the photos, sketching from them and creating mixed-media paintings while also creating from live models. more to come …

DO NOT COPY - PHOTO PRIVATELY OWNED DO NOT COPY - PHOTO PRIVATELY OWNED

DO NOT COPY - PHOTO PRIVATELY OWNED

 

 

 

 

thank you to jenny wittenberg, georgia & ashton, lily and momzie. 

Word
[dancing to the bangles, of course.]

2013 recap

THANK YOU to all who posted, liked, commented, shared and supported in 2013. lots of love.
i’m ready for another great year, full to the brim.

Here’s an excerpt:

A San Francisco cable car holds 60 people. This blog was viewed about 3,500 times in 2013. If it were a cable car, it would take about 58 trips to carry that many people.

Click here to see the complete report.

police positive

This slideshow requires JavaScript.

i got a call from a very nice arkansan not too long ago requesting a portrait of a colt police positive .22 using walnut grips that he owned. the drawing is planned to be a birthday surprise for his brother’s birthday in september. he mailed images of the gun, as well as the grips to choose from and their screws. we corresponded over the time the piece was created and, in the end, he was very pleased. he wrote, the morning after the piece was delivered “woke up this morning smiling … NO buyers remorse”. happy customer. happy emily.

 

thank you, jch, for your ideas, support and your humor.

e.a.s.t.

the east austin studio tour is a big deal here in austin. artists, galleries and some retail/restaurants collaborate for the sake of being creative. i was fortunate enough to be hosted by the fabulous east side showroom, a depression-era set restaurant with all locally grown and raised food. my pieces fit well, which was a bonus. big thanks to mickie spencer for having me show during such a great event. e.a.s.t. took place during october and since then the pieces that are still for sale have made it to gallery 26 in little rock and to grayDUCK gallery in austin. i also have a few here at the studio for sale. take a lookie!

This slideshow requires JavaScript.

 

bringing back the bodies.

when i was 3 or 4, mom enrolled me in ballet and tap classes. when i grew up some, i began to appreciate what dance was and i continued through to college, becoming a pre-dentistry / ballet pedagogy major. after a year of studying dance at the university of oklahoma in norman, my art calling pulled me to arkansas. i grew depressed without the outlet of physical expression that was like an appendage to my life. i started taking classes locally and felt that goodness again.

in college as an art major, some of my favorite classes were my figure studies courses with the talented professor ken stout. there is so much about the human figure that is beautiful; so many planes, curves, platforms, connections, shadows to work with. why not combine the two creative forms of art and movement?

one of the first original oil paintings i created other than still lifes was “bird dancer,” an image pulled from my sketches (see slideshow). the dancer’s figure extends outside the finished background, giving it an endless power. over the years i have created and sold a few of these pieces at art shows and at the pilates studio of little rock in arkansas. i haven’t painted in this theme in a while and i’m gladly bringing them back into the mix. dance, pilates and a little bit of yoga all on canvas. working on graphic design, pistols and dancers presents a nice balance.

This slideshow requires JavaScript.

special thanks to vanessa gottfried.

vintage pistol couture.

detail.

the pistol series is continually evolving, which is a great thing … since this gun-drawing thing is not going to stop any time soon.

for years, i have been adding the paper of vintage sewing patterns to mixed-media paintings and illustrations. after researching pistol diagrams and spending hours looking at clothing patterns, i saw a correlation between the two. they began to mesh well, one evolving into the other.

detail.

the illustrations are framed with the vintage fabric pattern paper or vintage clothing pattern packaging behind the drawing. i also have a large stack of antique publications handed down in the family from 1911-1930 that i use to mount the illustrations on. i use amate paper to draw on, which is a paper handmade by otomi indians of mexico. it has a great texture and is sturdy. the two look great together.

i am really excited about this new avenue and plan to continue my “things-coming-out-of-guns” series, as well.

This slideshow requires JavaScript.